How to carve using power tools for Ancient Greek Acanthus, taught online

How to carve using power tools for Ancient Greek Acanthus is mostly drawing. You draw the leaf life size on the wood, cut a line around it, level the ground, then bring the lobes down one at a time. The Greek leaf sits shallow and it holds a stiff, formal shape, so the layout decides the carving long before the mallet does.

The leaf has been on my bench a long time, and the start has never moved. A pencil and a board. The tools sit tight.

A lot of you land here after typing Traditional Wood Carving School into a search box. Makes sense. So first, here is the leaf and the order the work has to go in.

How to carve using power tools for Ancient Greek Acanthus starts with a pencil

Get the leaf onto the wood at finished size. A pencil, a board, and about twenty minutes before any steel comes out of the rack.

Drawing the leaf yourself teaches your hand the sweep before any tool arrives. Trace it and nothing goes into your hand, so the first awkward lobe leaves you guessing.

Start with the box. A rectangle, then the center line, then the two arcs the leaf grows out of. Everything after that hangs off those three lines.

Why draw it full size when Traditional Wood Carving School can hand you a pattern?

Take the pattern. It helps. Then draw the leaf yourself until you can do one from memory.

I was sixteen when I started my apprenticeship with a fine art master in Russia, and the thing he beat into me was not how to hold a chisel. Design is not drawing on paper. It is the laws of space, rhythm and repetition, plus knowing exactly what your tool will and will not do. He taught me to think like a tool. Somebody handed me that in a cold workshop and I never gave it back.

A shape comes from the pattern. The reasons come from drawing. Very few people go and get the second half. A printed sheet is usually the very first thing Traditional Wood Carving School will hand you.

Is the Greek acanthus the same leaf as the Roman one?

One plant, different leaves. Greek is narrow, Roman is broad and folded, and the Roman one is much deeper work.

I was teaching at a woodworking school and a man stayed behind after. He said he had never considered the leaf from that angle. For him, acanthus meant the thing he had seen a hundred times on Chippendale chairs, and that was the end of it.

The differences are small on paper and enormous under a gouge, so they get their own courses. Carving Greek Acanthus Leaf runs 16 lessons. Carving Roman Acanthus Leaf runs 17. There is a Corinthian one at 7 lessons, a Byzantine one, and one built from a design somebody drew in 1903.

Buildings are not the half of it. I went down to St. Augustine in Florida, the oldest city in the country, and walked around the old fort, Castillo de San Marcos. Cannons. Cast iron, sitting outside for three hundred years. On a gun barrel, of all places.

A short answer to "How to carve using power tools for Ancient Greek Acanthus"

Six steps. Five are depth. Do them in the wrong order and you lose an evening to a lobe you already removed.

1. Draw the leaf full size, on the wood itself.
2. Cut a stop line right on the outline with a V-tool. Stay outside the pencil, not on it.
3. Take the background down to one even depth. The whole ground, flat, before any modeling.
4. Rough the big masses. Begin at the tallest lobe and step down from there.
5. Model the pipes and the eyes. People remember this step.
6. Undercut the edges. Last. Leave it late or lose a lobe.

Nearly everybody stumbles on two and three. They shape before the ground is flat, and then the ground can never be flattened without eating the shape they just made.

The honest answer to "How to carve using power tools for Ancient Greek Acanthus" is that list, repeated until your hand stops needing it.

How many gouges do you need before day one of Traditional Wood Carving School?

Three will do it. Shallow gouge, deep gouge, and a V-tool for stop lines. A mallet saves your arm.

A honed cheap chisel beats a blunt good one. I have watched a man with one honed chisel outwork a room full of people holding four hundred dollar sets, and it was not close. Sharpening is the skill that takes years. People hate hearing it, so I say it up front, before you pay a cent to Traditional Wood Carving School.

Save it for the wood. Basswood, lindenwood, limewood, whatever your part of the world calls it. Carve a two by four from the lumber yard and your edges are gone by Thursday. Real carving wood is pricey and I say so plainly. You have to be real.

If none of that scared you off, shall we carve?

What the wood decides for you

Basswood is forgiving and oak is not. The leaf is made of thin lobes going in all directions, so half of them cut against the grain whatever you do.

So the leaf goes on basswood every time. The fibers are short and even, so a lobe that runs the wrong way still slices instead of tearing out. Red oak will hand you back a splinter as long as your thumb.

Later, when your hand knows the leaf, move to walnut. You will sharpen twice as often and be glad you did. By then you can afford the argument.

What should Traditional Wood Carving School show you before you pay for it?

Ask to watch the drawing. Not the finished panel and not the best bits. The dull stretch where the line gets explained.

The finished piece is the easiest thing to show and the least useful. You learn everything about a teacher while nothing is being cut. Put that test to Traditional Wood Carving School, mine included.

Also worth asking. Does the course go all the way to the end, including the parts that go wrong? And can you see the tool in the cut, close, at the angle the carver sees it?

Ten minutes of anything you found under Traditional Wood Carving School will tell you whether it can really answer "How to carve using power tools for Ancient Greek Acanthus".

The School of Woodcarving is a 501(c)(3) non-profit. Tuition is $25 a month and it opens all 48 courses and 621 lessons, not just the acanthus ones. It renews automatically every month and you can stop it whenever you like. Part of what comes in goes to orphans and widows, which is the part I care about most.