Learn wood carving at your own bench in Bullard, TX

I teach Woodcarving Workshops online, and you can start with me tonight. You watch my hands from up close, you make the same cut on your own board, and you play it again if it went wrong. Nothing of mine stands in Bullard, TX. Let me say that before anything else. I can give you the one thing I needed most at sixteen and could not have bought at any price.

Ever set a board on the bench and want to see what it hides? When you searched for Woodcarving Workshops near Bullard, TX, you were hoping a real person would turn up. Have you watched a carving video, understood every word, and then made a mess of it at your own bench an hour later? Do you want to draw your own ornament instead of tracing somebody else's forever?

Then sit down, because I want to tell you something. My name is Alexander Grabovetskiy. I have carved for over forty years and I was named International Woodcarver of the Year. Put the award aside for a minute. What matters is how I got here, because it is the one thing standing between you and a carved leaf.

What I got at sixteen that you cannot buy in Bullard, TX

At sixteen I became the only apprentice of a fine-art master, the old European way, one student and one teacher at one bench. He did not hand me a book. He cut, I cut, he told me what I did wrong. Then again the next morning, and the morning after that. He kept using the word design until I was sick of hearing it. Not drawing, he would say, and then go quiet and let me sit with that for a while. He meant the laws of space, rhythm, repetition, and thinking like the tool in your hand. It took me about two years to hear what he was actually saying.

Those years are the whole foundation. Try to hire it in Bullard, TX and see how far you get. There are not enough masters left. The ones still working are carving, because carving is what pays, and teaching one student at a bench for years does not, so it has more or less stopped.

Then life took the bench away from me for a while. I was arrested at eighteen for my faith. In prison I carved furniture with a knife I made myself, ten millimeters of steel, and a small gouge I made out of a nail. My pay was one boiled potato a day. One potato. I shared it with other men and we talked about God, and I got down under eighty pounds.

Now the part that has to do with you. A nail and a scrap of steel were enough, because somebody had already shown me how to hold them. Years later I landed in America on a Saturday and had a framing carpenter job by the Monday, with no English at all. Nobody there cared what I could carve. Bad tools, real training, and the work still came out.

Why the videos have not taught you to carve yet

Most people arrive at my door on the second or third try. You found a video, you watched a man finish a beautiful leaf in nine minutes, and you understood every word he said. Then you sat down at your own board and it went wrong, and you could not say why.

Nothing about that was your fault. You were shown the RESULT of a cut. Nobody showed you the cut itself. The angle of the tool was hidden behind his knuckles the entire time. You cannot copy what you were not allowed to see. Every person who ever typed Woodcarving Workshops into a search box was really asking for the same thing. Somebody to show them the cut properly, once, from the right angle.

A weekend class near you has the same hole in it, only more expensive. He does it once. You cannot ask him to do it again forty times. Then everybody drives home and works from memory, and memory is a liar about angles.

How I rebuilt that apprenticeship for you

My shot looks down the tool, the way he looked down mine. You see the bevel, the grain and the chip lifting, blown up across your whole screen. It will do that again all night if you want. My master could not do that for me. He was one man with one afternoon. That is the difference between Woodcarving Workshops on a screen and a master at your shoulder, and I have spent years closing it.

I teach it in the order he taught me, and I will not shuffle it to make it easier to sell. First the drawing, and yes, that is the unpopular answer. Look at the Principles of Design in Wood Carving course and you will see what he meant about the laws of space.

Then carving, which is heavier work than people expect. You are digging inside the wood and removing mass, and your shoulders will tell you about it the next day. Then sharpening, which takes the longest to learn and which almost nobody teaches properly. A sharp tool makes a beginner look talented. Which is why a whole course exists on Carving Tool Sharpening, and not one buried video.

I know what the wrong order does, because it walks into my classes. They buy the gouges, trace a leaf, and stop there for ten years. Ten years later he can reproduce anything and design nothing, and he cannot understand why his work looks like a copy. The reason is simple. He never owned the leaf. I would rather cost you one uncomfortable week of drawing than ten years of that.

Behind one login I have put 46 courses, 619 lessons and 3,039 video parts. Every one of them is a cut filmed the way I needed it filmed.

Your first month of Woodcarving Workshops, honestly

You should know what you are walking into, so here it is. Week one you draw. Just drawing, and it is the week that decides everything after.

Week two you sharpen, and you find out that your tools were never sharp. Week three you make your first real cuts on a small board, and they will be rough. Week four you finish something small enough to hold in one hand. Rough as it is, that is still the most important leaf you will ever carve. Keep it on a shelf, because in a year you will pick it up and see how far your hands have come.

Slow is the honest word for this. Sharpening alone took me years to learn properly. But most people never get past week one on their own, and you will.

Something for you right now, whether you ever pay me or not

I am going to give you one true thing before you decide anything. A strop is a piece of leather stuck to something flat. Nothing more. Rub honing compound on it, lay your gouge bevel flat, and pull the tool backwards toward you. Twenty strokes. Never push.

Now cut a curl in a piece of basswood. A polished surface is the answer you want. A fuzzy surface means your bevel is rounded, and no new tool will fix that. Do not go shopping. Go stropping.

The wood around Bullard, TX, in one paragraph

Texas will hand you mesquite, pecan and live oak, and every one of them will fight a beginner. Pecan tests about 1,820 lbf on the Janka scale. American basswood is 410. Multiply the labor and subtract the reward. So buy basswood for the learning years, and save the pecan for when you can do it justice. None of that is me being soft with you. A tool that goes dull in ten cuts will tell you that you have no talent, and it will be lying.

You do not need more than that from me today. Your problem was never which tree it came from. It is that nobody has ever stood behind you and shown you the first cut. That is the only thing I am actually offering, and it is the only thing Woodcarving Workshops should ever have meant.

I do teach in person, and it is not enough

I still teach live a few times a year, and the Austin School of Furniture has hosted one of my classes. It is rare. They sell out in about eight minutes, and even so I am telling you they are not the answer on their own.

Come if you can get there, but do not wait for it. Repetition is the only thing that has ever made a carver, and repetition is exactly what an apprenticeship gives you and a workshop cannot. If you want Woodcarving Workshops that actually changes your hands, you want the thing that repeats.

What it costs, and who should not join me

$25 a month opens all of it, and a year of Access is $200. Automatic monthly renewal, cancelled by you, on your own page. A single good gouge costs more than a month with me, which should tell you where the money in this craft really goes.

Wait a while if the money is not there. Nobody is going anywhere. Get a pencil and paper and draw leaves for six months. Drawing is free, and it is the part that matters most anyway. Saying that costs me a student and I will say it anyway.

Weigh it against the alternative for a second. One weekend workshop is the tuition, plus the flight, plus two nights in a hotel, plus the days off work. Then it ends, and the questions start. A year with me is $200 and I am there every Tuesday night in November when the leaf goes wrong and you cannot see why.

Who comes to me for Woodcarving Workshops

Teenagers, and great grandfathers. Cabinet makers who can build anything and cannot decorate it, restorers, retired engineers, and people who simply want one beautiful thing in the house.

My ninety year old students are sharp, and it is not luck. Carving in three dimensions builds new brain cells and works parts of your mind that drawing and painting never reach. Depth, light, shadow, the shape underneath. Your mind never stops working. I train my body every day too, weights and walking, because I do not just carve wood. I carve myself.

You learn it the way it was handed to me, and you join that line. And part of what you pay leaves this school entirely. It funds orphans and widows, and it sponsors children with talent whose families cannot pay for art education. I know exactly what that child feels, because I was him.

So here is what I am really offering you. Not videos. The thing that made me, taken apart and filmed so it can reach your bench in Bullard, TX. Start with the beginners course and one board of basswood, and carve something the size of your hand before you go near a door panel. If that sounds like your kind of work, shall we carve?

Carving is not for everybody, and you will get no argument from me. This is slow, physical, expensive work that takes years, and I am not going to dress it up as anything else. But if you have wanted it since you were a boy, and nobody ever showed you how, then I know exactly where you are standing. I stood there too.